“Trauma and its often symptomatic aftermath pose acute problems for historical representation and understanding. In Writing History, Writing. Trauma and its often symptomatic aftermath pose acute problems for historical representation and understanding. In this study, Dominick LaCapra offers a. Trauma and its aftermath pose acute problems for historical representation and understanding. In Writing History, Writing Trauma, Dominick.
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View all 5 comments. In these typically cogent essays, LaCapra once again works to determine subtle and necessary distinctions between history and trauma, absence and loss, and theory and practice while never reducing them to binaries.
LaCapra lays out, with the care, precision, and compassion we have come to expect from him, the terms and distinctions by which we can begin to think through the complexities of post-traumatic writing. In doing so, he adapts psychoanalytic concepts to historical analysis and employs sociocultural and political critique to elucidate trauma and its after effects in culture and in people.
In a series of interlocking lacalra, he explores dominiick and literary-critical attempts to come to terms with trauma as well as the crucial role post-traumatic testimonies—particularly Holocaust testimonies—have assumed in recent thought and writing. In a series of interlocking essays, he explores theoretical and literary-critical attempts to come to terms with trauma as well as the crucial role post-traumatic testimonies–particularly Holocaust testimonies–have assumed in recent thought and writing.
LaCapra both uses and transcends contemporary critical theory in assessing the influence of trauma on present-day historical writing.
The cultural politics of emotion Sara Ahmed Snippet view – This conflation tends to take place so rapidly that it escapes notice and seems natural or necessary. The Goldhagen Debate and Beyond. Debarati Sanyal SubStance Intellectually complex yet lucid.
An incredible book, and one I will definitely return to again and again. Subsequent chapters consider how Holocaust testimonies raise the problem of the role of affect and empathy in historical understanding, and respond to the debates surrounding Daniel Jonah Goldhagen’s book Hitler’s Willing Executioners: Selected pages Title Page.
Writing History, Writing Trauma
No one has done more to sustain the vitality and humanity of critical thinking in the face of those historical events—above all the Shoah—which seem to defy comprehension. Want to Read saving…. These are essays on the cutting edge, consistent in theme and perspective, carefully argued, sometimes personal, always clear.
Dec 02, Rebekah rated it liked it Shelves: Re-visions of Culture and Society Paperback: Amazon Inspire Digital Educational Resources. Refresh and try again. Trauma and its often symptomatic wriring pose acute problems for historical representation and understanding. His blend of historiography, trauma theory approaches, Holocaust studies, and psychoanalysis makes this book a must-read for anyone working in the trauma and war literary studies field.
Dominick LaCapra is in the Andrew D. If you hiistory a seller for this product, would you like to suggest updates through seller support? In a series of interlocking To ask other readers questions about Writing History, Writing Traumaplease sign up.
He has also published History and Reading: Ordinary Germans and the Holocaust.
LaCapra’s discussions of historiography, philosophy, and psychoanalysis are extraordinarily lucid, and this book is a brilliant example of some of the capabilities of contemporary trauma theory in analyzing representations of trauma. Get fast, free shipping with Amazon Prime. Reappraisals and New Perspectives.
Writing History, Writing Trauma
That taruma of totalization, however, is precisely what LaCapra casts doubt upon in his important new book. Kate Costello-Sullivan rated it really liked it Jan 30, Therefore, loss always entails absence, but not always vice versa. The strength of LaCapra’s text lies in its urgency, in the clarity of its commitment to historiographic adequacy and the constructive potential of a psychoanalytic lacapta of interpretation, and in its appeal to a sense of civic responsibility. Return to Book Page.
For a man who scorns footnotes, there are far too many.
Alexa Actionable Analytics for the Web. Stephen rated it liked it Jan 04, Its extreme form is positivism, which was popular in nineteenth-century historical writing. In a series of interlocking essays, he explores theoretical and trauuma attempts to come to terms with trauma as well as the crucial role post-traumatic testimonies—particularly Holocaust testimonies—have assumed in recent thought and writing.
In doing so, he adapts psychoanalytic concepts to historical analysis and employs sociocultural and political critique to elucidate trauma and its after effects in culture and in people. Writing History, Writing Trauma. Two proponents of radical constructivism working today are the theorists Frank Ankersmit and Hayden White. That dream of totalization, however, is precisely what LaCapra casts doubt upon in his important new book. A serious study on trauma and Holocaust, on acting out and working through.
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Lists with This Book. Books by Dominick LaCapra. He then lays a theoretical groundwork for the book as a whole, exploring the concept of historical specificity and insisting on the difference between transhistorical and historical trauma. In a series of Few other historians have so forcefully appealed to the power of empathy in addressing historical trauma, and none have done so much to place history and critical theory into a mutually enriching and necessary dialogue.
Regarding the Pain of Others. LaCapra’s analysis of trauma is folded into an ambitious and compelling reflection on the possibilities for a genuinely cross-disciplinary theoretical dialogue on history History and Memory After Auschwitz.